EGURRAREN ORPOTIK DATOR...
     Joxan Goikoetxea & Juanmari Beltran (1993)
     NO CD Rekords 04 - CD

Musikariak

Juanmari Beltrán: Txalaparta, Dultzaina, Xirula, Alboka,Tobera, Eltzegor, Ezkilak.

Juanma López Vicente:
Txalaparta eta Tobera.

Suso Saiz: Anbienteak, programazioaks,
E-Bow, irratiak eta kitarrak.

Klaus Wiesse:
Tibetan singing bowls.

Joseba Tapia:
Trikitixa.

Amaia Zubiria:
Ahotsa

Joxan Goikoetxea: Sintetizadoreak, Anbienteak, programazioak eta akordeoiak.

EGURRAREN ORPOTIK DATOR (Saiz/Goikoetxea/Beltran) - 6´04
DEIA - (Beltran) - 2´04
MAKIL DANTZA - (Beltran/Vicente) - 3´21
AIRE LIBREAN - (Beltran/Vicente) - 3´39
LO KANTA - (Saiz) - 2´26
AZKEN DANTZA - (Saiz/Goikoetxea/Beltran) - 5´18
TOBERAK - (Beltran/Vicente) - 1´38
ELTZEGOR - (Goikoetxea/Tapia) - 3´04
INGURUKOA - (Beltran/Vicente/Saiz) - 3´08
ARGIZARI - (Saiz/Beltran/Goikoetxea) - 6´30
EGURRAREN KANTA - (Vicente/Beltran) - 2´50
HEGALDIA - (Goikoetxea) - 3´36

Suso Saizek produzitua
Azala eta argazkiak: Jose Mari Zabala, Rafa Ruiz Balerdiren kuadro batean oinarriturik.
Du Manoir (Leon - Frantzia) estudioan grabatua eta nahastua.
Grabaketa/Nahasketa/Masterizazioa arduraduna: Jose Luis Crespo

"....Deeper than a fusion, the advanced technologies assist the native instruments in reaching an abstraction of art endowed wiyh human nobility. Keyboards, ambients, programming, voice, accordions, metal bars, wood, pipe, horn, tambourine, whistle, guitars, radios, E-bow and Tibetan singing bowls are played with unquestionable authority.Symbols of the past are reshaped, commanding sounds from a world before civilizations . Special guest and producer - Suso Saiz. Awe-inspiring...one of 1993's best ! ....."

PROJEKT - USA (1993)

" ....It reaches below the structured, rythmical inhibitions of much pan-European music and touches something else, and in doing so it makes something strongly linked to a people and a place, an expression of culture. The result ia a music wich is likely to find understanding in places as geographically separated from the Basque country as, for example, Sàmiland, Finland, Sweden, Norway and the Indian nations of the Americas, particularly as musicians working deep in the traditions of those countries open themselves up to the avnat-garde as an arena for the development of new directions ....... "

FOLK ROOTS.(1993)